On the turning away From the pale and downtrodden And the words they say Which we won't understand Don't accept that what's happening Is just a case of others' suffering Or you'll find that you're joining in The turning away
It's a sin that somehow Light is changing to shadow And casting its shroud Over all we have known Unaware how the ranks have grown Driven on by a heart of stone We could find that we're all alone In the dream of the proud
On the wings of the night As the daytime is stirring Where the speechless unite In a silent accord Using words you will find are strange Mesmerized as they light the flame Feel the new wind of change On the wings of the night
No more turning away From the weak and the weary No more turning away From the coldness inside Just a world that we all must share It's not enough just to stand and stare Is it only a dream that there'll be No more turning away?
On the turning away From the pale and downtrodden And the words they say Which we won't understand Don't accept that what's happening Is just a case of others suffering Or you'll find that you're joining in The turning away
It's a sin that somehow Light is changing to shadow And casting its shroud Over all we have known Unaware how the ranks have grown Driven on by a heart of stone We could find that we're all alone In the dream of the proud
On the wings of the night As the daytime is stirring Where the speechless unite In a silent accord Using words you will find are strange Mesmerized as they light the flame Feel the new wind of change On the wings of the night
No more turning away From the weak and the weary No more turning away From the coldness inside Just a world that we all must share It's not enough just to stand and stare Is it only a dream that there'll be No more turning away?
You know, I'm kind of sick of people talking as though the real Pink Floyd was the one with Syd Barrett in it. That Pink Floyd would very quickly have fallen out of fashion, even if Syd could have held it together to press on. He was profoundly mentally ill, and much of his work is not poetry in the sense of intention, in the sense of art: it is clanging. David Gilmour is literally what brought that band into the rest of our lives, kept it musical enough for us to keep identifying it with our personal feelings. Roger Waters pisses me off with his disrespect for that, preferring to live in the snobbery of the inaccessibly weird. This stubborn reification of the inside of Syd's mind, and allegiance to his genius is akin to Waters' snobbery, except the people who indulge in it don't realize how badly they malign him while using him this way. It's all self-illustration, self-portraits made with attitude instead of paint. Some will fall under the sway of the attitude, but some of us see attitude as clearly as paint, and it's not pretty. It's not even interesting.
And Gilmour was the one who kept being Syd's friend, encouraging him, helping him, loving him.
I had to replace the original one, here, so you gotta kinda bear with the first part to get to the part where Dave makes Mark look a little less dazzling... or... not...?
Her love rains down on me, easy as the breeze I listen to her breathing; it sounds like the waves on the sea I was thinking all about her, burning with rage and desire We were spinning into darkness, and the earth was on fire
She could take it back; she might take it back some day
So I spy on her, I lie to her, I make promises I cannot keep Then I hear her laughter rising, rising from the deep And I make her prove her love for me; I take all that I can take I push her to the limit to see if she will break
She might take it back; she could take it back some day
Now I have seen the warnings, screaming from all sides And it's easy to ignore them; God knows I've tried All of this temptation, you know it turned my faith to lies Till I couldn't see the danger or hear the rising tide
She could take it back, she will take it back some day She can take it back, she will take it back some day She will take it back, she will take it back some day